​The project investigates how musical movement can be translated into a visual image. Its starting point is the idea of making the ballistics of a violin bow visible, creating visual signatures of musical interpretation. The works are based on selected musical excerpts spanning four centuries. Using lenticular photography, the illuminated bow and the performance of internationally renowned violinists are captured from multiple perspectives. Lenticular printing combines these views behind a lenticular lens, producing a three-dimensional effect that shifts with the viewer’s position. The sound is recorded simultaneously and can be accessed via QR code or presented as part of an installation. In the sense of Sol LeWitt’s formulation, “The idea becomes a machine that makes the art,” the project operates as a system: each musical fragment, once performed, generates its own unique visual form. Musical interpretation is translated into image and sound, resulting in three-dimensional sculptures of light & sound The fragments are taken from works by Johann Sebastian Bach, Johannes Brahms, Benjamin Britten, Gia Kancheli, Felix Mendelssohn Bartholdy, Wolfgang Amadeus Mozart, Maurice Ravel, Karol Szymanowski, and Henri Vieuxtemps. ​​in collaboration with Lisa Batiashvili & Sara Ferrández